A guitar player with a friendly smile, wearing a festive hat and a traditional serape shawl.
Oregon Culture Keepers Roster
About the Oregon Culture Keepers Roster

Search the online Oregon Culture Keepers Roster—an ever-expanding, juried selection of folk and traditional artists—and connect with cultural experts documented through our regional surveys and Traditional Arts Apprenticeship Program.

Rostered artists and culture keepers can provide educational presentations, hands-on demonstrations, or performances to a variety of audiences. We recommend a fee of at least $250 plus travel expenses unless otherwise noted, for such appearances. We do not serve as a booking agent, so please contact the artists directly.

Search the roster by county or keyword to find

  • highly skilled traditional artists for your classroom,
  • storytellers for your library event,
  • cultural experts for your humanities program,
  • performers for your festival stage, or
  • craft artists for demonstrations.

Check back often—we regularly add new folk and traditional artists!

Apply

Interested in applying to be on the roster?

First, review OFN’s definition of a Culture Keeper:

  • A Culture Keeper is a folk or traditional artist, who actively practices, passes on, and preserves the living cultural traditions of the cultural community to which they belong and is recognized by that community. Folk and traditional arts do not include folk-inspired art, which is produced by individuals and groups who are not part of the cultural community that originally produced/created/developed the art form, even if the quality of the art is excellent.

Second, fill out and send in the application form and all required work samples.

Or contact us at 541-346-3820 | ofn@uoregon.edu for assistance.

Found 286 profiles.
Sherry Steele sits outside with grass and bushes in the background and holds a bundle of brown feathers. She wears a white shirt and a light baseball cap.
Sherry Steele
Fly Tying and Fly Fishing
Sherry Steele (Sisters), a traditional fly tyer, teaches for clubs and schools throughout central Oregon. With 13 years of experience, Steele is a board member of the International Federation of Fly Fishers and is passionate about her craft and teaching fly tying and angling skills to others.
Shirod Younker stands next to a large yellow and red painting with a wooden canoe oar. He is wearing a gray vest, a black long-sleeved shirt, dark blue jeans, and a black hat.
Shirod Younker
Canoe Paddle Carving
Shirod Younker, Upper Coquille and Miluk Coos tribes, (Portland) carves canoe paddles that closely follow his ancestors’ traditions. This work inspired his tribe to construct traditional canoes and participate in the annual Tribal Canoe Journey. Younker manages an artists-in-residence program for Native American teens at the Oregon College of Arts and Crafts.
Sidney "Sam" Seale stands outdoors with a cloudy sky and hills in the backgrund. He is wearing a blue button-up shirt, blue jeans, and a brown baseball cap.
Sidney "Sam" Seale
Family and Occupational Storytelling
Sidney "Sam" Seale (Condon) owns the "White Elephant Ranch" and shares the stories of his family. As a storyteller, Seale tells the lore of his family's strangely named ranch and ranching in Gilliam County during the Depression.
Skip Bailey & David Larkins stand outdoors next to a red and white boat named "Nestucca" and a house and bushes in the background. They are both wearing shorts.
Skip Bailey & David Larkins
Dorymen
Skip Bailey (Cloverdale) is a doryman in the best tradition of Pacific City. At the age of fourteen, Bailey and his close friend were already proud owners of a double-ended dory boat. In keeping with the tradition, they launched early morning off the beach. They would row through the surf, “silver fish” for salmon and cod during the day, and then would sell their haul at the local fish market.
Sreevidhya Chandramouli sitting in front of her instrument.
Sreevidhya Chandramouli
Karaikudi Vina Performer
Sreevidhya Chandramouli (Portland) is a tenth-generation descendant from the illustrious Karaikudi Vina Tradition of South India. In the last three decades, she has contributed to the musical tapestry in Oregon through universities and private teaching. She often selects students to reside with her to learn the art in depth. Many of the students learn to perform and teach as they advance their careers in various fields. Through her own solo and group performances with her family, she brings the grandeur of the tradition to her community.
Sridharini Sridharan
Bharatanatyam Classical Indian Dance
Sridharini Sridharan (Hillsboro) started dancing at the age of 7 and had her “arangetram” (a debut performance that symbolizes the end of her apprenticeship and the beginning of her professional mastery) at the age of 12 in the presence of the doyen of Bharatanatyam - Dr. Padma Subrahmanyam. Sridharan founded her dance school, Kalashiksha in 2016, where she teaches over 30 students of various ages to continue this traditional art form.
Stacy Rose preparing dough for baking
Stacy Rose
Foodways, Israeli Folk Dance Instruction
Stacy Rose (North Bend), is a traditional Jewish cook and baker, Israeli folk dance teacher, and musician. Rose shares her knowledge of traditional dance with her congregation and the greater south coast community. A traditional and innovative cook, she is known for her bagel brigade and matzoh ball soup, which she delivers to those who need their comfort and sustenance.
Stephanie Craig is standing in front of an audience holding a small woven basket. She is wearing a gray shirt with black cardigan and is gesturing with her left hand.
Stephanie Craig, anqati təmtəm tənas siyaxus
Basket Making
Stephanie Craig, anqati təmtəm tənas siyaxus (Dayton) is one of few basket-weavers in the Grand Ronde tradition. The family stories Craig grew up with continue to spur her on. She has now taught over 5000 students in the Pacific Northwest region, California, and Utah, saying, “the best...I can do to keep this going is to teach as many people as I can.”
Steve Campbell stands and plays an electric fiddle in his workshop. He is wearing a white button-up shirt and blue jeans.
Steve Campbell
Musical Instrument Making
Steve Campbell (Prineville) is an instrument maker who refined his skills on the production floor at Breedlove Guitar manufacturing. He now works from his own shop where he has crafted over 100 guitars, mandolins, and fiddles out of Oregon timber and exotic foreign tonewoods.
the artist, Steve Harris, kneels to the right side of the image helping his young daughter Caity with rawhide braiding. He wears a blue shirt and brown vest.
Steve Harris
Gear and Saddle Maker, Rawhide Braider
Steve Harris (Roseburg) is a gear and saddle maker in the Spanish California vaquero tradition. A horseman and rawhide braider, he makes hackamores, reins, and bridle sets. He also cures his own hides, cuts his own strings, and builds the occasional saddle.
Steve McKay sits at a workbench with a leather saddle piece held down with his left hand and a hammer in his right. He is wearing a white striped button-up shirt.
Steve McKay
Saddle Making
Steve McKay (Burns) is a buckaroo and traditional saddle maker. McKay learned to tool saddles in the 80s from fellow traditional artist Len Babb II. Working buckaroos around the state of Oregon consider McKay a the “go-to” for rugged, functional gear.
Steve Parks stands outside in front of the Parks Bronze sign. He is wearing a black shirt, a black leather jacket, and a black baseball cap.
Steve Parks
Bronze Artistry and Foundry Operating
Steve Parks (Enterprise) is a bronze caster who came to the Wallowa Valley as a skilled tooler in the infancy of the local art bronze industry. Parks learned the “lost wax casting” process on the job, in a face-to-face setting. Now operator of Parks Bronze, Parks continues to pass down his knowledge and cultivate the occupation of bronze casting, now iconic to the region.
Steven Steele stands outside next to a green drift boat. He is wearing a blue and white checkered button-up shirt.
Steven Steele
Drift Boat Builder
Steven Steele (Lebanon) is a second-generation McKenzie River drift boat builder. He learned from his father, the legendary Keith Steele, who "perfected the craftsmanship of what was there." Demand for custom-made wooden drift boats has decreased as more and more people turn to easier-to-maintain aluminum skiffs to fish in the fast-moving McKenzie River. These days, a good year means building ten boats for those devoted to preserving the tradition of wooden McKenzie River drift boats.
A picture of Sushmita.
Sushmita Poddar
Indian Folk Dance and Henna Painting
Sushmita Poddar (Hillsboro) is an Asian Indian folk and classical dancer, henna artist, and teacher. After opening her own dance school, Poddar has taught workshops at community events, schools, and businesses across the area for 10 years.
Suzen Tattoozen stands in the Whiteaker Tattoo Collective in front of a black wall with memorabilia and tools. She is wearing a black t-shirt with a skull on it.
Suzen Tattoozen
Tattooing
Suzen Tattoozen (Eugene) is a tattoo artist who co-owns the Whiteaker Tattoo Collective in Eugene’s historic Whiteaker neighborhood. She also runs Transformation Ink, a tattoo-based charity. Known for her unique custom designs, and ornate, embellished, illustrative watercolor styles, Tattoozen apprenticed in the traditional manner of the trade.
the artist, Sweet Ravisankar, in the midst of dance
Sweta Ravisankar
Bharatanatyam Classical Indian Dance
Sweta Ravisankar is a Bharatanatyam performing artist, teacher, and choreographer. She has been dancing for nearly three decades, andholds a Masters in Bharatanatyam, MFA, and is the artistic director of Sarada Kala Nilayam (SKN), where she teaches Bharathanatyam and Nattuvangam. Sweta also trains beginner youth and adult dancers who are now growing into serious cultural arts practitioners.
Teresa Cavender stands outside in a forested area. She is wearing a blue blouse and a beaded necklace.
Teresa Cavender
Beadwork, Felting
Teresa Cavender (Gates), a member of the Confederated Tribes of Siletz Indians, is an expert in beadwork and is experienced in leatherwork, basket-making and other crafts. Her work, which reflects her Native American heritage, also include her own personal twist.
Terri Berthelsen sits indoors next to a workbench with leatherworking materials. She is wearing a blue and white gingham button-up shirt.
Terri Berthelsen
Rawhide Braiding/Cow Wrangling
Terri Berthelsen (Baker City) learned rawhide braiding as a cow wrangler looking after her family’s cattle. Today, her braided gear is prized for the tough hide she cuts perfectly into string, and her straight, tight weave that shows off her designs and reinforces the strength of her reins, quirts (short-handled riding “poppers” with braided leather lashes), and bosals (bridles).
Terri Stone smiling while sitting on a fishing boat
Terri Stone
Commercial Fishing, Storytelling
Terri Stone (Ophir) is a natural storyteller. She retired in the late 2010s after over 40 years of commercial fishing though she may get back to it in a small way. Stone has an endless supply of anecdotes about her skippers, other crew members, boats, and fishing itself.
A photo of Tetyana Horner with her loom
Tetyana Horner (Bondarchuk)
Ukrainian Weaving
Tetyana Horner (Bondarchuk) is a traditional Ukrainian weaver from Nova Kakhovka (a city in the south of Ukraine). Following in the footsteps of her grandmother, who was a traditional weaver, Horner practices a variety of Ukrainian weaving techniques, teaches workshops on the tradition, and participates in initiatives that support Ukraine.

Back to Top